So why get a floor tom mic? Clearly, the basic mic setup for a drum kit consists of a matched pair of powerful mics positioned overhead, often with individual mics for the kick drum and snare. While this’s adequate to capture the groove and overall sonic picture, the low mid range sound of the floor toms are able to get lost in the mix. A dedicated mic on the floor tom lets you adjust the balance, providing you with a richer, more complex overall sound.
Floor toms can be challenging to mic due to the frequency range of theirs. Mics designed for snares often miss the rich lower frequencies, making the sound thin and hollow; mics meant for kick drums are able to have the complete opposite problem. If you are in the industry for a great floor tom mic, the selections below are all viable options. With a preference for each price point, you are certain to find one thing that provides you with the good you need within the budget range of yours.
These’re the recommendations of ours for the four best floor tom mics on the market:
Sennheiser E604 Dynamic Cardioid Tom Mic
There are 2 specific qualities that make this mic perfect for floor toms: the lower rate of distortion and also the resistance to noise from handling or perhaps impacts. The built in mounting system is handy, letting you clip it right to the rim of the tom of yours, and you are able to set both the perspective and also the level of the microphone to have just the sound you are searching for.
Sennheiser can create the entire body much more compact and light weight by making use of a reinforced glass fiber rather than metal. This content is only as tough, protecting the mic from damage without bogging it down for a tiny but powerful dynamic mic that you are able to be counted on.
MXL A-55 Kicker Tom Mic
A great deal of players make use of the floor tom for its low end frequencies. A mic that is made to sound great in that range like the A 55 Kicker from MXL is going to give you the rich, heavy bass tones you are seeking. The frequency response goes around 30Hz, ideal for capturing that low rumble. It uses a standard cardioid pickup pattern that effectively isolates the floor tom’s sound from the remaining portion of the drums in the kit of yours.
In terms of exterior design, the metal casing is rugged and solid, effective at preventing the majority of damage from hits or drops. Its compact size and shape also make it much easier to place in the often cramped property around your floor tom. This’s certainly among the best floor tom mics for the investment.
CAD D10 Tom Mic
If your budget is extremely tight, the D10 from CAD is the best option of yours. It excels at capturing the low frequency sounds of both kick drums and floor toms. It provides you with a serious tone with a strong, crisp attack, and does not ignore the mid range tones of the floor tom, also.
The attached mount lets you adjust the tilt of the microphone, although you will not get as wide a range of adjustment as with some pricier models. When you are looking for easy and accurate micing of your floor tom on a budget, the CAD D10 is a good option.
Shure PGA56 XLR Swivel-mount Dynamic Tom Mic
An option that is excellent for capturing the distinctive sound of a floor tom is this swivel mounted dynamic mic from Shure. It is created for use with mounted toms but will catch the sounds of a floor tom equally well, particularly in case you utilize a far more compact kit.
The primary complaint users have about the PGA56 is not about the microphone itself but rather the mounting system, which uses a claw shaped design which does not always hold securely to drum rims while you are playing. This has a tendency to be a drum-to-drum matter, nonetheless, and if the mounting is not a problem with your set up, this Shure provides you with a complete, realistic sound for usually a lower cost than the Sennheiser above (though prices do fluctuate).
What to Look for in top Floor Tom Mics
Dynamic microphones have a tendency to work best for percussion. They’ve the sensitivity to accurately capture complex harmonics and sonic textures across a wide frequency range, from probably the lowest bass drum to the shimmer of the cymbals of yours. They are also capable to stand up to louder dynamics and sharp attacks without wearing out, which means they will be a little more durable compared to condenser or perhaps ribbon microphones used in identical applications.
When you are micing individual drums, you need to get a cardioid polar pattern. This can catch all of the sound in front of the mic without getting a lot of bleed from additional instruments around it – an essential feature with regards to a drum kit, wherever you will find a lot of different textures clustered together.
For a floor tom, the lower end of the frequency range will be more significant compared to the higher end. You are able to use mics designed for either mounted toms or perhaps kick drums. Both will generally provide the frequency response you have to get a balanced and rich tone, although they may emphasize different aspects of the instrument’s range.
The way to Choose
The major difference you will find between mics at various price points is the caliber of the microphone components. A pricier option like the Sennheiser (see full specs) will pick up much more of the nuance of your drum’s sound, providing you with a far more realistic capture. You might not have quite that level of sensitivity, nonetheless, particularly in case you are working this floor tom mic into a bigger drum kit micing set up.
There will also be small variations in the mounting apparatus between models. One isn’t always better compared to the others categorically, however, you might find a single microphone better suited to your particular drum. More sophisticated mounting apparatuses also often give you much more adjustment options in terms of the angle and distance of the mic from your drum head, another thing that you will find helpful in case you’re extremely specific about your mic’ed tom sound.
As with most things in music, it truly boils down to an individual choice – not necessarily which one is perfect, but which one is ideal for the needs of yours. Use the ears of yours to enable you to make the decision, also. Paying attention to videos and recordings made using the different mics might never be quite the just like listening to them in person, however it is going to give you a good concept of the differences between different models. Whichever way you go, all 4 of these mics will qualify, in the own unique way of theirs, as the very best floor tom mic. They are going to give you quality sound and reliable capture for decades to come. Good luck!