Best Bass Drum Heads

The kick drum in your system is the heartbeat of the band of yours. It must be loud enough to cut through the other sound. It also has to have enough definition on the front end of the attack to keep the groove going and help your bandmates find the beat. Deciding on the best beater head for your kick drum can go a long way toward getting the perfect balance of volume and clarity out of your bass drum sound.

Below are the recommendations of ours for the four best bass drum heads on the market.

Remo Powerstroke 3

The Remo Powerstroke is popular across the drumming community and with valid reason. It is not just an incredibly durable head but it is going to give you a fuller, fatter sound than most beater heads. The underlay around the outside edge acts as an additional level of dampening, filtering out unwanted overtones. The added 5 mils of width from the dark dot in the center adds a bit of depth to the lower end and also gives you a punchier attack. The power and thud from this head will kick your bass drum sound up to another level.
  • 22″ diameter bass drum head w/ black dot
  • Features a thin underlay at the outer edge of the head to subtly dampen unwanted overtones
  • A near-perfect balance of response and tone control
  • One of Remo’s most preferred resonant bass drumhead

Aquarian Drumheads SKII

The floated muffling system is what truly defines the sound of the head. The narrow band of soft felt along the outside edge means you will not have to put in any extra muffling material to get a strong, punchy kick drum tone. The head is 2 ply for maximum durability and volume. Aquarian heads last longer and resonate much better than other brands on the market due to the quality of theirs of construction. Though they are ideal for any style of play, they particularly excel at the driving low end that is very needed for genres as hard rock and metal. These’re among the very best bass drum heads for the investment.
  • Clear Super-Kick II
  • Two 7mil plies of Nu-Brite drumhead film
  • Built-in patented Floating Felt Muffle Ring
  • Full low-end sound
  • no extra muffling needed
  • Double ply for added strength and durability

Evans EQ2

The EQ2 is a 2 ply head that is built to last. The internal overtone control ring gives the sound much more depth and a far more defined attack. Add or perhaps remove the muffle ring to change the result on the lower end. The focused sustain and powerful projection means this head is wonderful for live performances. It also plays nice with recording mics, with a rounded and warm sound. The EQ2 has a livelier sound than the 2 beater heads above, and you will get the low boom and snappy attacks which are terrific for high energy styles.
  • 24″ drum head made using two plies of film. An outer ply of 6.5mil and an inner ply of 10mil film
  • Very versatile head for all music genres; a true working drummer’s choice
  • Also available in a frosted version
  • All Evans drum heads designed, engineered and manufactured in the USA

Evans EMAD

EMAD is the gigging drummer’s head of choice, both since it is very flexible and also since it is amazingly affordable. The removable dampening rings let you adjust the sound of yours to fit the design and the venue that you are playing. Use the thinner ring to get a far more focused sound or perhaps pick the wider one if you want to add strength to the low end of yours. Though it’s a single ply head, the fairly thick ten mil film is resilient enough to stand up to even the most intense play. It must be on anyone’s list of the very best bass drum heads.
  • 24″ drum head made using a single ply of 10mil film
  • Externally Mounted Adjustable Damping system allows the player to adjust attack and focus
  • Very versatile head for all music genres; a true working drummer’s choice
  • Also available in a coated version
  • All Evans drum heads designed, engineered and manufactured in the USA

1-ply or 2-ply

The construction element which has the largest effect on your bass drum tone will be the number and thickness of the sheets of film used on the head. A single ply head is going to have a faster response across dynamic levels and also may have a much better overall resonance. This could make for a better tone with an extended sustain, and might be much better for players that use a great deal of soft dynamics. The most apparent benefit of a two ply head is its increased durability. In case you have a huge strike, you will have the ability to play on a two ply head for much longer without damaging it and needing to change it. Two-ply heads also generally have a punchier attack and a somewhat darker sound than their single ply counterparts.
The thickness of a drum head is measured in mils. One mil is one thousandth of an inch. The finer the material you are hitting, the taller the pitch of the noise is going to be, that tends to make the good brighter and more cutting. A thicker drum head makes for a lower pitch and a darker tone. When it comes to two ply heads, a great deal of manufacturers will make use of a thinner ply on the beater side of the top along with a thicker ply behind it.

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