Before diving into the listing of particular pedals, you need to get an understanding of the different characteristics which make a fantastic looping pedal. Let’s look at exactly what sets the best looping pedals apart from the rest and the way different musicians want different capabilities.
Looping Time and Memory
Each loop pedal includes a maximum loop length, and this changes a lot. If you do not want your music to sound too repetitive, you may need a more maximum moment. Some looping pedals allow you to pile a vast or unlimited number of loops, while some have a cap to the amount total time of the loops. Think of how much looping you need before deciding.
Many looping pedals let you save loops in different slots for simpler management and to reuse loops in a later moment. Specific ones let you transfer your saved loops into your computer or smart device too. Memory features are convenient, and if you would like to use your looper for over jamming all on your personal computer, it is well worth investing in a looping pedal with a good memory feature.
Different pedals have different approaches to the management concept and design.
Cheap, compact loop pedals tend to get a single footswitch for many looping operations. This can be very restricting and also make it difficult to do things in time. Some layouts have separate start and stop switches, and particular ones even have switches for different loops. Many looping pedals offer you footswitches for toggling results or surfing stored loops in real time easily, while most offer no such thing. As a rule of thumb, more switches are better.
A number of the simpler designs allow you to plug outside footswitches and saying pedals into gain more control.
Standard looper units only have one loop line and may only allow you to play loops one at a time. The very best looper pedal can handle numerous loops, playing them at the same time or separately by using more than one loop. Some even have multiple inputs and outputs, which enables the looping of multiple instruments with a single pedal.
If you would like to create whole songs with looping as a central concept, you want a multiloop pedal.
Many lovers can perform the loops back in altered manners, for example in reverse or at half rate. While this might seem like a gimmick to many conventional guitarists, it can be a very creative tool for a lot of musicians. These effects have become commonplace, but simpler often omit this attribute. If you like the idea, make sure that you get one with this attribute.
More sophisticated pedals often include a BPM setting which lets you set a specific tempo (in beats per minute) that the loop will utilize. When it’s a quantize function, it is going to correct your loops to be in excellent sync. Time stretching enables you to stretch the tape to match the loop length and rate. Auto-start is a nifty feature that starts recording the moment the processor picks a guitar sign. In this manner, you don’t have to hit the record button the same millisecond you start playing with. This makes timing much simpler.
A number of the more high-tech looping pedals utilize MIDI sync. This permits you to send signals from your own computer or an electronic instrument to start, stop, set the tempo, and more.
Boss RC 3 Loop Station Pedal Review
As far as loop pedals move, we can confidently state Boss stands out as one of the top manufacturers of these devices, and their RC-3 Loop Station model occurs to be a device which hits the sweet spot between high quality and very affordable pricing, in addition to innovative functions and ease of use. This is our favorite looper pedal on this list.
This classic might be the most well-known and popular loop pedals.
Unlike its larger counterpart, this pedal only offers one loop monitor. This means there are 1 input and one footswitch. You still secure numerous loops and overdubs. While it’s a smaller, easier pedal compared to a lot of the powerhouses on the list, it has plenty of attributes.
First of all, it can quantize your loops for superior synchronization. In addition, there’s an auto-start function which starts recording once the device picks up a signal. This makes timing even easier, for beginners in particular, as you don’t need to measure on the switch within a millisecond of their very first note to prevent looping from sync. You can concentrate more on playing when you do not have to worry so much about perfect time.
If that’s not enough to earn aiming simpler, you can also use one of the many backing monitors the pedal can perform with. If the ones built into the apparatus do not tickle your fancy, there is a 3.5 mm jack so you can plug your personal computer or smart device into the pedal and perform anything you want. This can be very fun to experiment with, looping a variety of tunes and audio tracks.
The pedal is easy to understand, with lights that allow you to know what’s going on. There’s 1 knob for the general quantity and two buttons for selecting up and down. Its typical Boss design makes it both portable and sturdy, taking up little space in your pedalboard considering how much you get out of it.
- Great build quality
- Easy to use
- Quantize and auto-start for better sync
- Backing tracks included
- 3 hours of recording, 99 memory slots, stereo I/O, and a compact body.
- No reverse or half-time looping
- 16 bit recording.
Coming using a compact layout and touch Boss sturdy metal casing, this item sums up the requirements of the massive majority of lower users on the market. We took it outside for a little spin, you can find our conclusions in the full review below.
As mentioned, we are looking at classic Boss casing using a hot red finish. The pedal is powerful, most definitely roadworthy, and highly dependable even in the long run. It operates a stereo device with two inputs and a set of outputs, allowing the participant to plug in a separate microphone and insert a whole other instrument to the loop, as well as operating with stereo heaters.
Also included in this combination is a rhythm guide with real drum sounds, as well as a USB 2.0 interface for connecting to a PC and import or export .WAV-quality sound.
Another advanced feature most certainly worth mentioning is tap speed — an alternative to manually place the loop’s tempo by tapping it through the footswitch. At length, a five-year Boss guarantee can be included in the purchase price.
So far as controls go, we like the way the manufacturer managed to spread the footswitch-related works around despite using just one footswitch (the massive thing in the front). So the big button can be used for beginning the recording (one tap) and stopping it (two taps). To allocate a memory slot to a loop listed, the player is given two buttons to select among the 99 accessible spaces.
There is also another button for locking the tune to the desired memory slot, which also operates as delete button if pressed more. At length, the Output knob is there to determine the level of this effect’s sound presence in the mixture. Also included in the mixture is a special input for connecting an extra footswitch to separate the memory or stop shift feature.
If it comes to sound quality of loopers, a significant section is that the listed part sounds natural, organic rather than too plastic. The RC-3 meets those demands with a clear sonic punch and simple to use controls.
The recorded 3-hour recording period is way more than most players need through a show and more than sufficient for preserving an essential record of loops.
3 Hours of Stereo Recording\
First of the improvements across the RC-2 Loop Station is that the RC-3 Loop Station gives musicians up to 3 hours of stereo recording period, instead of the RC-2, which only permitted up to 16 minutes of mono recording. That is a heck of an improvement! You can now load hours of your favorite backing tracks into 99 different slots. This allows you to jam to your heart’s content without getting bored and stops you from having to stop and load fresh jam tracks over and over again — only keep the creativity flowing. By the way, the Boss RC-3 is USB 2.0 compatible for fast loading.
Pre-Set Drum Tracks
One disadvantage to the Boss RC-3 Loop Station is that it only provides 10 drum tracks. If you’re the kind of musician who wants a wide array of drum beats for spontaneous inspiration, then this might not be the pedal for you. This pedal is better suited to artists who wish to play along with jam tracks. Bear in mind that you can load pre-recorded jam tracks with your own drum beats so, with a little effort, the 10 preset drum tracks won’t necessarily keep you from getting the most out of the little pedal. The ten preset rhythms are in an assortment of styles, including Rock, Pop, Funk, Shuffle, R&B, and Latin.
Inputs and Outputs
Guitarists who want to integrate external stereo effects devices will be excited about the real stereo I/O. This is a big improvement over the RC-2 Loop Station, and let’s Boss compete with Digitech’s JamMan Stereo. Bear in mind that this pedal does add a bit of noise, so if you are a real audio purist, you may want to spend a little more cash for a cleaner overall sound. If you are just practicing at home, a small noise is not the worst thing, and it is not really that noticeable.
Boss RC-3 Loop Station Control Panel
When using the RC-3 Loop Station for recording, there are two options. You can choose the Auto Recording feature, which starts the recording the moment you start playing your guitar, or the moment you begin a connected audio player like an external drum machine or CD player. Alternatively, Count-In mode gives you one-bar of rhythm before recording begins. Like many looper pedals, you can Undo/Redo as you go.
A dedicated knob lets you adjust the volume of the rhythm, and you may set the speed incrementally or via tap tempo. You may also define the time signature. When you save a phrase, the rhythm type and time signature will also be saved. In addition to recording your bass or guitar performances and turning them into loops that are playable, you can also record other external stereo sound sources via the RC-3’s AUX IN. For those who have an external drum machine, you can make new loops on the fly, or grab loops out of your MP3 tracks and start jamming them over.
Beware that, as with the Boss RC-30 Loop Station, there is a noticeable 1/4 second difference when switching between phrases (UPDATE: This issue was fixed by Boss by a firmware update). Although this may not bother most bedroom musicians, it’s certainly not suited for studio recording. Paradoxically, this was not a problem with Boss’s elderly RC-2 Loop Station and RC-20XL Loop Station. The Boss RC-300 Loop Station did not appear to develop this issue, but is significantly larger and more expensive than the RC-3.
The RC-3 Loop Station is Boss’s most compact looper from the RC-3x series, which also includes the larger RC-30 Loop Station as well as the massive RC-300 Loop Station. All in all, the Boss RC-3 Loop Station improves Boss’s compact looping pedal technology by leaps and bounds, and is a good option to compete with Digitech’s rival compact pedal, the JamMan Solo.
For the recorded cost, the RC-3 provides a killer sonic strike. It takes the crucial looper role of recording and looping tracks and then infuses it with the largest advanced functions like stereo inputs, internal memory, on-board drums, and much more. This pedal covers the requirements of an absolute majority of gamers out there, and so long as you’re in need of a loop pedal you simply cannot regret making this purchase.
Donner Tiny Looper Guitar Effect Pedal Review
The very first budget choice on the listing does, in actuality, offer many of the functions found in the pedals mentioned above.
You get 10 minutes of looping time with infinite overdubs, and you can undo and redo your actions. You receive the typical reverse and half speed playback styles also. Mono output and input constraints its prowess a bit, though looping pedals are generally among the first in any given signal chain. It’s true bypass, so that your signal goes through unaltered when you turn off the effect. On the other hand, the cheap circuitry can color your signal a little.
Operating the loop with one footswitch may seem a little tricky at first, however, the multi-function switch makes it a bit easier, and the LED indicator lets you know the condition of the looper. Clicking and holding the switch down until the light flashes green deletes the final loop. Clicking stops playback. Holding down it after double clicking will delete all listed loops.
Aluminum casing of the small looping pedal is stronger than you would expect for this price range. It seems durable. Also, it is easy to transfer music between the pedal and your PC.
- Very affordable
- Small and convenient build
- Import/Export loops
- Very basic functionality
- Extremely limited controls
IIf you are on a tight budget or you do not need anything fancy, then this looping pedal is what you search.
Nux Loop Core Review
The Loop Core pedal out of Nux is a handy solution for players in pursuit of an advanced guitar pedal at a budget-friendly cost tag. Coming at a distinctive metal yellow casing, the device combines high-quality sound with a series of frequently used advanced functions like the ability to incorporate the tap tempo feature.
If a simple looper does not please you, but you have around $100 to spend, this can be a valid choice for you. We took the Nux fella out for a little twist, you can take a look at our decisions at the full review below.
Nux is just one of those companies which make various electronic gadgets, therefore it is somewhat surprising to see that a loop pedal created by them. What’s more surprising is the fact that it’s not a lousy looper in any way. It rivals some of the significant manufacturer options in its budget.
Design-wise, it looks like a combination between an RC-3 Loop Station and a Ditto Looper, and this also provides a basic idea of how it works. The metal casing and minimal controls make it portable and easy to use without a lot of maintenance, although the small, round footswitch can be frustrating to new users. In case you haven’t had enough time to get used to it, you could miss it on a dark stage. Aside from that, it’s a layout that is fantastic.
You can record and overdub as far as you want, the maximum recording time is half an hour and you get 99 memory slots for saving your phrases. The USB interface makes it easy to transfer things to your computer and rear, so it’s possible to construct a vast library of loops to perform and arrange into masterpieces. Or why not compose a song in your computer using loops you’ve recorded.
There is no latency, so keeping things in sync is easy. There is no BPM setting or quantize function, but the tap tempo feature ought to suffice for most musicians. You can even change the tempo while you’re playing, and they’ll stretch into the new tempo without changing pitch. This is a superb feature for guitarists who prefer to play at various tempos throughout a song or jam.
You get a decent selection of backing tracks to play along with. While the sound quality of these drum loops isn’t the best, they’re an excellent tool for practicing by yourself. The overall sound quality of the pedal is excellent.
The compact design restricts control skills, but you can expand these controls by plugging an external multi-button footswitch into your Loop core. You might also wish to get an AC adaptor so that you don’t have to find new batteries all of the time. The only real flaw is the footswitch, which can make it difficult for new users to tap the tempo or double tap to prevent the loop at the right moment. However, this is a small barrier to overcome.
The Nu-X Loop Core functions as you would expect. Although there are many buttons on the control panel, looping is basically controlled through the single footswitch. To begin recording a loop, you simply tap the footswitch. To end recording and begin playback, then you tap the footswitch again. If you would like to add overdubs to your loop, you tap the footswitch once again. Undo/Redo of your final overdub is accomplished by holding down the footswitch for a couple seconds. If you would like to stop the loop, then you double-tap the footswitch. If you would like to stop and clear the loop, then you must tap and hold the footswitch down. In case you’ve already stopped the loop without clearing, you can clear the loop by holding down the footswitch for a couple of seconds, but the loop will begin playing for a second first. This is normal in most single switch loopers, however.
The Loop Core will save as much as 99 loops, or up to 6 hours, which is significantly more than enough. Honestly, I would rather play and record loops live and don’t tend to save them. But if you have a whole set pre-planned, it could be quite useful to have a couple of set loops saved. To save a loop, you just record it, then press the save button. The display screen will blink the amount of the slot currently chosen. A dot at the bottom right-hand corner means there’s already a loop stored in that slot, in which case you can delete it use the up/down buttons to pick another slot. As soon as you have selected a slot, you just press save again. This conserves your loop and the drum pattern, if one was chosen.
Despite the fact that it’s a”clone” and all, I did not expect the Loop Core to be as feature-packed as it is. This may be my personal bias. In any event, I was impressed that the Loop Core has attributes such as auto-detect. In this mode, you do not have to tap the footswitch to start recording the loop, the Loop Core simply detects when you start playing and starts recording. The Loop Core even has 3 stop modes, including immediate stop, finish the loop stop, and fade out.
Once you have created a loop that you like, you can store up to 99 loops for later use. You can also copy existing loops into other memory locations.
There are 40 drum patterns to play along with on the Loop Core. To select them, you just hold down the”Rhythm” button, then use the up/down buttons to scroll through the routines. As I mentioned in my review of the Boss RC-3, there are built in drum patterns, but it ain’t Lars Ulrich backing you up. It is similar to a one-armed drummer keeping time. I really like having the built in drum-patterns since it helps you practice your timing, and is faster to access than booting up some beats in GarageBand, Ableton Live, or any other computer program. By the way, the Boss RC-3 only has 10 drum patterns, so the Loop Core comes out ahead in this regard. Personally, I just use 3 or 4 of those more simple patterns anyway, so its not all that important to me either way.
The volume knob has an inside and outer ring so that you can control the volume of the drum patterns individually from the loop volume, which will be nice!
Concerning negatives, the Nu-X Loop Core has the same problems as the Boss RC-3 Loop Station. For starters, we are talking 16-bit audio recording at 44.1 kHz frequency. This was up to par in 2011 when the Boss RC-3 was released, and was touted as “CD Quality.” More recently, however, loopers such as the TC Electronic Ditto and Ditto X2, and also the Pigtronix Infinity have stepped up to 24-bit recording at 48 kHz. For practicing at home, this isn’t much of a problem, if you are not an audiophile. The distinction is subtle, but noticeable.
Another issue is that, though you may use the tap tempo button to set the tempo of this built-in metronome and drum machine, there is no method to set the bpm using the up/down buttons. This seems like a missed opportunity, particularly since there is a small screen that shows numbers and could easily display the bpm. This can become a problem when you’re recording different phrases to be played together. For example, if you record a loop at a specific tempo, then move up a memory slot, the tempo is dropped so that you can’t match it. Also, there is no bpm setting, so that you can’t match it like that. The only solution is to copy the existing loop into a new memory location, then delete it. This is a little cumbersome if you’re trying to use the pedal live, though you might potentially have your phrases pre-recorded.
Third, like the Boss RC-3, this is a compact pedal with only a single footswitch. This implies that to stop the loop, you have to double tap to prevent, which is less precise in live situations than a looper pedal which has more than 1 footswitch like the TC Electronic Ditto X2. Of course, this can be remedied by buying the extra external footswitches, but you are spending a bit more money.
A bit of good news is that the early issues with the Boss RC-3 are already fixed in the Loop Core. When the Boss RC-3 was first released, there was a noticeable silent gap which appeared when switching between phrases. Boss eventually fixed this problem with the firmware update. Similarly, there’s absolutely no gap when switching between phrases with the Nu-X Loop Core.
The pedal comes in a sturdy metal casing capable of taking a decent punch. This is a durable and reliable apparatus, a 100 percent street worthy in our publication. Which permits you to conduct the pedal into a stereo rig on one side, and insert extra instruments to the loop onto the input side.
The Loop Core boasts the ability to capture up to 6 hours of mono or stereo sound, which is far more than sufficient for live use, and quite enough for amassing a massive database of recorded loops. To store the recorded combination, the user is provided a pair of 99 memory card slots.
The pedal also includes on-board drum patterns with the tap as mentioned above tempo feature which permits you to manually tap on the desired tempo of the loop audio without affecting the key. You may import or export loops via PC, as well as plug into an optional extension pedal to get extra control. The system runs on standard power adapter or via a 9V battery.
We’re looking at a one-switch pedal, but the producer was intelligent enough to separate the save and delete functions and delegate them a distinct button. This means that the frontal foot-switch is utilized only for starting and finish the recording of the loop, unless tap tempo is changed on, of course.
And speaking of rhythm, the system utilizes a total of 40 onboard drum layouts for you to pick from throughout the Rhythm button.
The pedal delivers a natural and natural sound or the loop, and even when effects are added to the mixture, the sonic output of the loop remains natural and straightforward to adapt to a variety of effects.
If it comes to the rhythm feature, we can not say we’re too thrilled about the sound quality of those rhythm tracks and would not recommend them that much for live surrounding, but they most definitely do the task for training.
This is a bargain for the listed price. Should you need a quality-sounding loop pedal with all those essential advanced purposes, and should you have about $100 to spare, then check this fella out. Also, if you’re a fan of yellow stuff, then all the better!
TC Electronic Guitar Ditto Review
If you prefer your loopers leisurely, concise, yet highly effective and elite, we recommend giving the Guitar Ditto from TC Electronic a look. Featuring classy looks and not anything more than a single button and one knob, this fella is as powerful as they capture.
Seeing that the device is stripped from advanced functions, this is an ideal choice both for beginners and only for players who prefer simplicity with their loopers. As for the sound and performance quality, there is nothing beginner about this thing whatsoever. Enough chit-chat, let’s dive into the full review below!
Pros: The TC Electronic Ditto Looper is simplistic in design and operation, tiny in comparison to other loopers and affordable.
• Cons: Missing features such as rhythm backing and quantization, and lack of pedals could be a detriment in some situations.
• Overall: The Ditto Looper is great if you’re looking for simplicity and affordability, but if you’re serious about looping you’ll soon come to wish there were more features.
The Features You Want and Nothing Else
The whole doctrine of the TC Electronic Ditto is simplicity. Instead of cramming hundreds of save places, a megaton of attributes and a cacophony of controllers into their looper, their intent is to make something eminently user-friendly. Concerning appearance, at least, it completely fulfils that objective. The pedal is only a measly 3 5/8 ” by 1 5/8″ in size, with one clearly labeled dial, one multi-function button, an input jack, an output, a mini-USB port and a port for the power source. It’s hard to imagine a pedal simpler.
This is actually one of the core characteristics of the pedal. It’s tempting to describe it as a stompbox-style loop, but that would be over-estimating its size considerably. It’s as small as anything you would realistically include on your pedalboard, which means as long as you are not at maximum capacity it will play nicely.
Ease of use goes hand-in-hand with this slick design. After plugging it in, you’re ready to start looping. You hit the footswitch (the only one, so no confusion there!) and start playing. When you have recorded your phrase, give the footswitch another tap and it will replay on a loop. You can adjust the volume of the playback using the only dial on the Ditto Looper. To overdub, you just repeat the record procedure– tap, tap and play again. If you would like to stop, you simply double-tap the footswitch, and you may give it another tap to start it playing again. Stopping and deleting is as simple as double-tapping but holding your foot down the second time. All this with only 1 footswitch.
Although you can’t store multiple loops to call up later, they have made sure you get loads of looping time. You can record a loop of up to five minutes in length (that will only be necessary if you are intending song is nothing short of epic) and it allows for as many overdubs as you like. Additionally, if you record something awesome and want to toy with it another time, you simply turn off the unit without breaking the loop and it is going to still be there when you power up, overdubs and all.
If you are thinking the basic package could only possible offer this core functionality, you would be wrong. You also get the option of undoing or redoing your previous recording, which opens up new realms of sonic possibilities. By holding the footswitch down for around two seconds, you reverse the previously recorded overdub. On face value, this allows you to erase any mistake you made without needing to start the whole thing again, but there’s more to it than that. If you’ve built up a good backing for your song but want to add an extra element on some occasions (a melody-line or a lick from the background, for example), then you can remove it and place it back in place at will. You might even record the first half of a solo, play it back and harmonize with it to the second half, and then remove it for another verse. Plus, if you would like to bring it back again, you can do it easily.
Finally, they’ve ensured that the Ditto Looper doesn’t interfere with your signal in any way when it isn’t in use. It has a true bypass mode — which essentially means your tone goes through completely unaffected — that triggers whenever you delete your loop. There is no hum, no latency, nothing in any respect.
Can it Really Compete?
You should not think of this TC Electronic Ditto Looper to be in direct competition with the critters of the looping industry such as the Digitech JamMan Delay or the Boss RC-300 Loop Station, since the entire intention is to make something which performs the functions you want and nothing else. If you’ve always been unsure about losers due to the apparent technical expertise you will need to use one effectively, the TC Electronic Ditto Looper calms your fears at first glance. The operation is extremely easy once you get used to the tap combinations. It isn’t up against the big boys; it’s designed for the first-time looper or someone who does not care about all of the extras.
However, it is realistically still in competition with the simplistic units like the Boss RC-3, the JamMan Solo, or the Jamman Solo XT, and unfortunately it comes out on the bottom when you look at things objectively. Simplicity is great, but when you are making a committed looper there are some things that really are quite useful. The major one of these is memory. Whilst you might not have to save more than one loop at a time, there are plenty of options which are likewise easy to use and yet permit you to have around 100 stored loops.
Other choices also feature things like quantization (to help you stay in time) and rhythm backing (so that you don’t need to make a beat using percussive strumming). Maybe you’d only miss the ability to undo your loop in the event that you wanted to create something pretty uncommon, but accompaniment and help staying punctually is extremely valuable. Plus, it some ways it is useful to have a dedicated pedal for things like stopping/clearing; it might make things look more confusing but it decreases the number of tap-combinations you have to recall during a performance.
UPDATE: If you are searching for additional features, it may be worth checking out the Ditto X2 looper (released in 2014), which adds a committed”Cease” footswitch, or even the much larger Ditto X4 looper (released in 2016), which is essentially two Ditto loopers stuck together with MIDI synch and some fun effects.
The Ditto Looper provides more than you would expect for such a tiny, unassuming looper, but if you’re actually looking to do some imaginative looping it may be a bit too basic. In the name of stripping things down to basics, they’ve lost out on some potentially valuable additions, and the lack of memory is crippling if you would like to create a set-list. However, if you’re looking for a simple loop to utilize on-the-fly, the simplicity of operation and the cost makes it a excellent option.
The very first thing we noticed about this tool is impeccable craftsmanship and tasteful, modern looks. Then, you find that the metal casing is sturdy and well build, giving the impression of a strong unit and a quality product. Seeing that simplicity is that the word of the day here, we were not surprised this is a mono pedal.
What that means is that the gadget features just 1 input and a single output. This is not a big deal for the vast majority of gamers, as it essentially means you can just plug in one tool into the pedal (many ask”Who needs more?”) And connect the pedal with just 1 output, which can be just fine.
The pedal functions as a true bypass apparatus with an analog-dry-through and requires a typical 9V power supply, which isn’t included in the price.
Not a great deal of things here, now is there? There is 1 footswitch, one knob, status LED indicator, and that’s it. Turns out that is all most gamers need in practice. So, the Level control knob controls the level of the loop result which gets injected into your sound output, while the footswitch does the majority of the job.
Especially, pressing the switch once kicks off the recording, tapping on it twice quickly ends the recording you started and starts the loop. Finally, to disable the recorded loop, then just press the button for a couple of seconds.
The audio quality is on a high level, the recorded sound that gets in the loop is organic, natural, and very close to the original, and we could pretty much give zero complaints. Additionally, the device operates excellent when coupled with different effects, too, providing the loop with zero sonic interference or lousy audio. As soon as you work out how to control the footswitch — that should not take long at all — you are set to loop away!
You get what you pay for here. The features are fundamental, yet effective, and so are the controllers. However, we are still coping with high-quality electronics and wiring here, as well as a top-notch sound and standard performance. Add those tasteful looks and sturdy build to the mix and you get a very nice deal for the listed cost. Good stuff, highly suggested!
Bonsai Music Looper Review
As one of the best picks for the title of the best cheap looper pedal, the Bonsai Music Looper is a small, yet highly effective device that will get the job done at a fair price. Adding a surprisingly high-end pair of particular elements, this fella gives away an impression that is pretty much anything but cheap.
From looks to sound quality and functionality, this is one solid piece of music equipment. Simplicity is really the word of the day with Bonsai, but it still easily covers the needs of the vast bulk of musicians on the market.
The pedal utilizes a metal casing that’s strong and roadworthy. Just don’t bash it around too much and it’ll serve you well for quite a while. Offering a 48 kHz 24-bit uncompressed high-quality audio, the device surprised us with the ability to store up to 10 minutes of looping, which can be far more than enough for just about any player and some other live show on the market.
This is an actual bypass mono pedal, meaning that it includes one input and one output signal. The constraints of mono pedals would be that on one hand, you can not use stereo replacements and on the other hand, you can just plug in a single device into the pedal. And yes, that is quite alright with the majority of players once again.
Further on up the street, Bonsai presents unlimited overdubs as fell because the undo and redo functions. To power this particular boy, you’ll require a standard 9V power source, which is not included in the purchase price.
Making matters as simple as possible, the manufacturer has chosen to include just a single control knob and one footswitch for this item. This produces the pedal quite simple to use, provided that you learn that catchy change. The Level knob is used to adjust the total amount of the loop effect that gets infused into your final sound output, while the footswitch is used to control the tape itself.
Here is how it works — you tap on the button once to start the recording, then tap it twice to terminate the recording as soon as you’re done with crafting the loop. Last, you hold the button for a few seconds when you’re done and would like to erase the loop to make a new recording. It’s rather simple and just takes a bit of foot practice to master.
Though things are always much easier with more than just one footswitch, we must give props to this man in the ease of use section. The manufacturer made sure the pedal operates smooth as a whistle, with zero crackle, sonic interference, latency of poor audio quality.
So yes, it is easier when you have a separate footswitch and you don’t have to tap dancing over the pedal, but for a one-switch configuration, this thing is as easy as they capture.
When all is said and combined, this is a great thing. The looks are great, pro-level for sure; durability is tremendous, the pedal is dependable, functionality is topnotch, the sound is clear and natural, the stomp-box is simple to use, and the price is most definitely in the budget-friendly industry. Good stuff!
Electro Harmonix 720 Stereo Looper Review
This simple-looking looper from EHX hides a great deal of powerful looping functionality under its basic-looking surface. The build is similar to that of the Ditto X2 in both dimensions, robustness, and design. The most important distinction is the pop-less design of the footswitches. When it comes to looping, however, that the 720 goes a step or two farther.
To start with, you receive 10 banks for storing your loops. Each loop may play forwards or backward at normal speed or half speed. Shifting these playback results on and off is as simple as clicking the footswitch. If you’d like to have more control, you can plug in a 3-button foot controller and use it to scroll through the memory banks, in addition, to undo and redo actions on any of the 10 independent channels with ease.
It is possible to record up to 12 minutes of audio onto 10 separate loops and then play them back in some ways. As a result of its trails circuitry, loops will fade out in a natural manner when you flip them off. The 24-bit stereo audio quality is excellent, recording at 44.1 kHz without compression for an beautiful sound. The drawback is that there is no USB or SD card slot, so it’s not simple to do anything with this recorded material. This pedal has a straightforward controller interface with only two knobs and 2 foot switches. The lights let you understand just what’s going on with your audio. In general, it offers incredible simplicity of use because of its size and vast capabilities.
- Simple, user-friendly design
- 10 channels and up to 12 minutes of audio
- Very sturdy build
- Simple operation, excellent sound quality, plenty of useful effects and extras, and a good price to boot.
- Limited control over loops
- No sync or tap tempo
Put briefly, the pedal is of typical EHX quality. Fantastic sound quality and overall design. If you’d like as many characteristics as you can cram into as little of a stompbox as possible, this one is for you.
So far as stomp-boxes of the size proceed, we’ve gotten accustomed to much more basic possibilities, and the intricacy of this fella has struck us as a pleasant surprise.
Quality-sounding, easy to use, sturdy and reliable, this is a product we can’t complain all that much about. We played about with it a bit, you can find our conclusions in the full review below.
Electro-Harmonix’s Nano Looper 360 saw the company moving away from the large, multi-track looping options they attempted with the 2880 and 45000 and towards the streamlined and easy approach epitomized by TC Electronic’s Ditto. Where many loopers cram as many footswitches, dials and buttons as they can onto increasingly large boards, the Nano Looper 360 went for one footswitch and two dials on a pedal a touch smaller than most single-function stomboxes. The only problem was that this limited the potential of this looper, putting up roadblocks to live use and limiting the feature-set available.
Now Electro-Harmonix has released the 720 Stereo Looper. This doubles the memory and number of footswitches but retains the heart appeal and the stripped-down simplicity. But does it do enough to compete with the growing number of compact loopers on the industry?
A Little Fatter; A Little Better
The big difference of the 720 Stereo Looper compared to this Nano Looper 360 is the size and number of footswitches. The pedal is about the same length from top to bottom — at 4.75 inches or 121 mm — but the diameter has been increased from 2.75 inches (70 mm) to 4 inches (102 mm), allowing a lot of space for a whole additional footswitch and more.
The design takes certain cues from the original, with the footswitches occupying the bottom half of the pedal and dials and buttons along the top half. However, it’s fatter nature means there’s a”Stop/FX” footswitch along with the core”Loop” footswitch, and there is a simple display screen in the top right, in addition to a”Level” and”Mode/Loop” dial. Under those dials, there are also two push-buttons backed by red LED lights, which allow you to activate the reverse and half-speed consequences.
The upshot is that the 720 Looper provides just a tiny bit more than the older version, both in operation and in user-friendliness.
The Features Every Looper Needs
The core looping function works in precisely the same way: with an empty memory location chosen, you hit the”Loop” footswitch to begin recording, play the base loop you’ll build the rest on (as an example, your baseline, riff or chord progression), hit”Loop” again when you’re done to begin playback and repeat the process for any overdubs. As with the majority of loopers, you can record as many overdubs as you like. Also, if you want, you can set the 720 Looper up to go straight into overdub mode when you hit the footswitch for the second time.
The main footswitch also lets you control the vital undo/redo function on the loop, which allows you to erase and subsequently bring back your final overdub layer. This is activated by pressing the”Loop” footswitch and holding it down for two seconds while your loop is playing back. After undoing, it is possible to bring back the layer in by doing the same thing, and it is going to even stay stored in memory (ready to redo) after changing memory locations or turning off the 720 Looper. Not only does undo/redo let you correct mistakes, it may also be a useful essay instrument, so even though it is on virtually every looper these days, it’s still a fantastic feature.
The second footswitch controls stopping and the onboard effects, depending upon your setting. You can actually stop playback using a double-tap of the main”Loop” footswitch, but the”Stop” footswitch does it with a single press, and a double-tap also lets you pause your loop’s playback so you can restart (by pressing the”Loop” footswitch) from where you left off. Holding the”Stop” footswitch for 2 seconds when playback is stopped erases the loop in the currently-selected memory slot.
Effects and Mode Settings: Enhancing Your Loop
Although you can trigger these directly through their dedicated buttons, you can control the effects using the”Stop/FX” footswitch too. The two options for effects on the 720 Looper are half-speed and reverse playback, which are fairly standard across loopers. The half-speed alternative is undoubtedly more useful for many players, since it allows you to put down a bass-line without an actual bass or octave pedal (since the procedure also shifts down your playing an octave), which is vital for one-man ring type playing a loop pedal.
If you want to be able to trigger one or both of these effects hands-free, you can press and hold the”Mode/Loop” dial for 2 seconds. This removes the dot on the display screen (labeled”Stop”) and suggests that the”Stop/FX” switch is in FX mode. Now the buttons to the effects simply enable the effects, and you control if they are busy or not using the footswitch. By way of example, if you want the reverse function active, you make sure it’s button is selected (which is evident as it glows red) and then hit the footswitch when you want it to come on. If you need both effects to work in the same time, you select both buttons before enabling them by hitting the footswitch.
Ultimately, there are three different modes accessible through the”Mode/Loop” dial. Loop Select mode lets you cycle through the 10 loop locations on the 720 Looper by turning the dial. You have, since the looper’s name implies, 720 seconds (12 minutes) of stereo recording time to disperse across these loop places however you see fit. This still doesn’t compete with the memory offered by larger units, but 12 minutes is enough looping times for a lot of players’ purposes, so it isn’t really too bad at all. An SD card slot or USB port to enlarge this could have been nice, though.
The rest of the options from the”Mode/Loop” dial are Loop Progress style and Fadeout mode. For Loop Progress, the screen changes to a count showing how much you’re through your loop. This can help you understand where you are if you start an overdub mid-way through playback, and if you turn the”Mode/Loop” dial, you can fast-forward or rewind the loop. It also counts backwards when you’re reversing your loop, and at half-speed when you play it at half speed. The Fadeout option permits you to place your loop to gradually fade instead of stopping unexpectedly, and you can fade out for anywhere from 1 to 60 seconds, depending on the setting that you dial in.
Sound Quality and Connections
The other big improvement over the Nano 360 is that the 720 Looper currently supports stereo looping, with two 1/4 inch ins and outs on the sides of the pedal. The audio quality is excellent, with a 44.1 kHz sample rate and 24-bit depth, and it doesn’t affect your tone noticeably at all, even with multiple overdubs — perhaps you’ll notice some impact when you have a more attuned ear than mine, but for me there are no complaints.
The rest of the jacks on the 720 Looper are for the supplied AC adapter and an optional foot controller. They indicate the Digitech FS3X 3-Button Footswitch, which gives you the options of an instantaneous undo/redo and changing the memory location hands-free.
How Can the 720 Stereo Looper Stack Up?
Overall, there is very little to complain about with what the 720 Looper does. If you can take the limitation on storage space, it does everything you want it to, may be operated pretty well hands-free, the sound quality is great, there are a couple of cool effects and the choice to do things like quitting your loop and fade out over a predetermined period of time are convenient extras.
The only downsides are that it doesn’t do. There is no MIDI sync. There is no”quantization” or other helpful features that will help you remain in time. There is not any one-shot, sampler-style manner or the ability to transition seamlessly between loop slots in a performance. There’s absolutely no multi-track functionality. There’s no option to adjust the speed of playback without adjusting the pitch. You get the picture.
The decision you have to make is if any of these things matter to you. For people looking for a looper to use live, particularly those who depend heavily on loops, it might not be ideal. If you’re trying to play live every so often, especially if you just need one loop each song, then it may just have what it takes. For more casual players looking to have some fun at home or at jam sessions, or anybody just searching for a practicing tool that doesn’t come with unnecessary bells and whistles, it is downright excellent.
The system offers 12 minutes of looping time, and it is more than sufficient for just about any player out there, along with a series of 10 independent loops, which is once more likely way more than enough to pay your requirements. Apart from that, the gizmo provides overdubs, unlimited undo and redo edits, as well as a couple of unusual features — Reverse and Half Rate.
Spinning on the Reverse button can result with the loop that you just recorded being played in reverse and generating some bad noises; the 1/2 Speed button can be also rather self-explanatory, as it cuts down the speed of the loop by 50 percent.
This is a stereo device, meaning that two Two Out plugs are given at your disposal, allowing you to connect some instruments into the loop, in addition to rock the pedal utilizing a stereo rig. Additionally, another input was supplied for connecting an optional footswitch.
The item includes an included EHX 9.6DC/200 AC adapter and may also operate on a regular 9V battery.
The most important aspect of the pedal’s control segment is a pair of footswitches.
This means that instead of tap dance across the pedal in an attempt to nail the right tapping combination for the feature you want to be implemented, you’ve got two individual controls which can commence the loop tape on one side and prevent it on the other.
Additionally, you can use the Mode control to select the desired performance style and use also use the standard Level knob to adjust the precise amount of this looping effect that will be injected into the sound output.
As expected, the audio quality of loops is topnotch, authentic to the original and natural. But we’re pleasantly surprised by how good the audio signal remains when these two novelty features are switched on. Even in reverse, the audio signal isn’t digitalized or artificial, which merely deserves kudos.
However, we still believe that the original audio quality and ease of use are the two features here. While 1/2 Speed is exceptional, attention-grabbing options, it’s in our opinions that many players will forget about these after the first few days of tweaking the pedal. Apart from that, the amount of durability and reliability is high, this is unquestionably a roadworthy item, and we dig the identifying, somewhat industrial looks.
Let’s say this 1 directly from the get-go — that the price is reasonable. You certainly get your money’s worth, and we see this loop as a pro-level option. They say that this fella is similar to TC Electronic’s Ditto pedal, just better and more improvements, and we kinda agree with that sentiment. Fantastic stuff!
Digitech JamMan Stereo Looper Review
This complex sampler was one of the first live looping tools from which the notion of the loop pedal evolved. Guitar pedal giants DigiTech termed their string of looping pedals following this older legend.
The construct is stronger than many additional DigiTech pedals, that has the added benefit of helping to keep the pedal stay in place during vigorous utilization on point. Four hardy footswitches take up most of the surface. One begins playing or recording loops, other works as a stop switch that can also be employed to adjust the tempo. The remaining two switches are for browsing through saved loops, on cycles upward throughout the stored banks, the other cycles downward.
Speaking of those card banks, the pedal includes 99 of them, each one capable to keep a loop, for a total of up to 35 minutes of recorded loops. As though this was not sufficient, the pedal carries an SD card which grants another 99 banks. This is a signature characteristic of the JamMan that makes it easy to transfer, upload, and also download loops to your JamMan.
It includes pre-recorded backing tracks, a feature that makes this looping pedal perfect for practicing your solos. The back rows of controls may seem complicated at first glance, but the lights and labels make it easy to understand what exactly does. Points of interest will be the reverse button, which plays loops in reverse; the auto rec button that automates the tape so that you can catch your complete loop without having to use the footswitch; along with the knobs to get loop amount and rhythm amount.
Plugging one in expands your controls for loop tempo and reverse playback, and gives you immediate undo/redo functions.
Thanks to this logical memory bank system and controls, this is one of the very best looping pedals for those who like to take their time and save and reuse riffs later.
Digitech is a company that managed to grab a reasonable share of the loop pedal marketplace as a result of a string of products that offer high excellent audio together with top-notch craftsmanship at a fair price.
As their entry item and a looper that covers the basic demands of the vast majority of gamers, the JMEXTV JamMan Express XT pedal is a nice pick for guitar players of all levels and styles. We took it out for a little spin around the block, so it is possible to take a look at our thoughts and decisions in the entire review below.
Right off the bat, you may have noticed the similarity in look between the JamMan and Boss’s RC-20XL. You are certainly not alone. The RC-20XL came out in August 2004, and the JamMan a year later, to the month. This leads to a lot of competition between the two pedals, and they are in many ways easily comparable. DigiTech has since released a couple of new pedals, the JamMan Solo, the JamMan Stereo, and the Jamman Delay, but then again, so has Boss with it’s RC-3x series.
The manufacturing competition between Digitech and Boss does stand out, and they’re alike in more ways than just looks. In actuality, both manufacturers offer us loopers with a lot of the very same functions. The key to choosing between the two is simply to establish the differences and take your choice.
The design of the original JamMan is straightforward, and a seasoned looper will find it intuitive. For any new loopers, the manual will have you on your feet very quickly. To begin a loop, all you’ve got to do is tap the”Rec/Play/Overdub” pedal, which is on the left hand side of the unit, record your loop, and give it another tap to start it then again to overdub. For general information about looping, click here.
To store your loops the JamMan gives you 99 places, which are saved on a Compact Flash card. With the device you get a 128MB card, which is good for around 24 minutes of recording time, but you can get cards of up to 2GB, which provide over half an hour of storage period. In addition to this, you can even connect to your computer via USB, and maintain any important loops saved on your hard drive.
This is one of the principal differences between the JamMan and the RC-20XL, and it’s one where the JamMan really does exceed the competition. The RC-20XL only offers sixteen minutes of recording time, and there is no USB connection for remote storage.
Also as”Rec/Play/Overdub,” the left pedal also operates”Undo/Redo,” a crucial role that takes account for the fact that we as people are rather prone to making errors. A fast grip on the pedal will eliminate the last part you overdubbed. You could also use this as a ghost, one-off memory, to bring in a final extra layer when it is needed. For example, you could bring in a harmonised part when required to decorate your melody, but take it away so it does not conflict with your soloing.
Another footswitch can be used to stop playback, clear what you’ve recorded and also to tap out the tempo. The”Tap Tempo” feature is an impressive one, enabling you to change the tempo of files without changing the pitch. Tapping the tempo can be vital if you want to play together with one of those pre-made rhythm sounds. You can either tap the tempo on the pedal or on it’s button on the upper section of the pedal. This is as simple as it sounds, a light blinks to show what tempo you’re tapping out, and after it is right, just don’t tap anymore.
Built-In Drum Patterns
The rhythm sections are basic, but the JamMan offers you nine options so that you can select something that at least matches the music. These work as a simple metronome, and are very useful, because whilst the JamMan does allegedly contain an inner”Quantize” feature, it’s effect is not too noticeable, because you have to be pretty close to the mark for it to help you by making sure your loops end exactly on a beat. In a way, this preserves some authenticity, in that the loop isn’t doing much for you, but when you just want to generate some simple loops to amuse yourself you’ll soon be clamouring to get a”Quantize.” That’s one thing that the RC-20XL does have within the JamMan.
As soon as your loop is listed, you can set whether you want it to play once, or to loop continuously. Due to the only play choice, you can have sections of a song stored in different locations, place to play once, then move onto the next part once the first one comes to the end. Or you may set certain parts to loop, and the bridge, for instance, to just play once.
The JamMan can also be put in”Auto-Record Mode,” so the unit starts recording as soon as it picks up audio in your guitar, which could avoid some dreaded fiddling with buttons if you are expecting to be doing with the pedal.
In use, the JamMan is great for bedroom rocking, but you would have to purchase additional footswitches for full live use. Although the sound is only in mono, the sound quality is good, and whilst there’s a reduction in quality the more you overdub, this is only to be expected. Unfortunately, there also have been reports of loop corruption after the 4th or 5th overdub (see Yahoo JamMan Discussion Group). Another issue is that the outputs make it impossible to set the backing track through the PA rather than your amp, which is definitely not ideal.
Another gripe is that you can’t dial a tempo in using the unit’s display screen; you need to tap it out. This is not too relevant to most users, but if for any reason you know exactly what BPM you need to play , you should be able to distinguish the machine precisely what you would like.
In direct comparison with it is supposed competition, the RC-20XL, the JamMan is pretty equivalent. Even though it appears almost spitefully designed to be marginally better than Boss’s pedal, it really only surpasses it in memory, and USB connectivity, but falls short in it’s features. It has more than you will need for basic looping usage, but it might have been nice to have a”Reverse” function, or some kind of pitch changer. Additionally, the”Quantize” on the RC-20XL is much more evident than on the JamMan, which could either be a great thing or a bad thing, depending on your outlook.
Aside from a slick blue metallic casing, the pedal functions as a stereo device with two inputs and a pair of outputs. This permits you to add two instruments into the looping mix, as well as utilize the stomp-box with a stereo rig, which is excellent for more sophisticated and demanding musicians.
In total, this Digitech fella can store up to ten minutes of stereo-quality sound footage, which can be far more than enough for any gig, together with unlimited overdubs and also an undo/redo attribute.
We are dealing with a true bypass pedal here, which is particularly significant with a loop pedal. Just a single footswitch has been included in the mix, but different LED status indicators for Recording, Overdub, and Play modes do make it significantly easier to control this monster.
The item weighs at 10.6 ounces and includes a total size of 4.6 x 3.2 x 2.1 inches.
There is only a single knob included in the mix — the Level controller — which adjusts the degree of the loop effect that gets infused in the finished audio mix.
While in most cases it merely serves as an on/off switch, things get a little more complicated in regards to loop pedals.
So specifically, there are three crucial controllers summed up in one button — tapping the footswitch after will kick off the recording process of a loop segment; tapping it twice will finish the recording process you have previously stated, while holding the button down for a couple seconds will disable the formerly recorded loop, making way for new goods to be laid down.
Furthermore, tapping on the button following the recording was made will commence the loop’s playback, while tapping on it to the third time will start the recording of an overdub layer.
Regardless of the number of other guitar effects you have on at the given moment, this pedal will record your sound in an obvious and natural manner, with zero sonic disturbance, crackle or some of that awful stuff. 10 minutes of available loop period is way, way over 99% of the players want, hence we could confidently say that this item has you back covered in every aspect.
For the listed price tag, this fella delivers the goods. It has all of the essential functions in its pocket, the controls are on-point and straightforward, and the sound quality is most definitely alright. If you are not looking into the area of looping too deep, this can be a legitimate choice.
Vox VLL1 Review
While high-quality amps will be their strong suit, Vox has a few excellent guitar pedals in the marketplace. Their VLL1 looper pedal may just be one of the best inventions, and among the very best looping pedals you can get.
The plan is easy and intuitive. There are just two footswitches, one for each looping bank. The”Loop Level” dial sets the amount of the loop. The knob on the left activates one of 12 effects such as chorus, reverb, and distortion. Some of the effects sound good, some do not, that is to be expected from a simple multi-effect chip. Selecting their level with the same knob requires some getting used to. While effects are a nice bonus, let’s not get distracted from the looping.
Each bank can record up loops to 90 minutes long, and you get infinite overdubbing options together with the ability to undo and redo. The two separate banks make it simpler to keep track of items. It seems like Vox made this looping pedal using live performance in mind. It is a powerful loop that is easy to use. Perhaps the best multitrack looping pedal at its price range.
Even though there’s but 1 input, you’ve got two options. One for average guitar chords and you for unbalanced microphone cords. You can switch between both using a small switch on the bottom of the box. The most important feature that sets it apart from the looper is the function. This allows you to decide on duration and speed to which the loops will synchronize. This way you are able to bypass the barrier of learning to time your loops.
Even though the sound quality is not perfect, it’s still quite good and should suffice for most guitarists. One thing to note is the fact that it doesn’t come with a power supply, and therefore you want to get a separate one.
This is a superb choice for beginners who want an all-in-one solution with a looping pedal which works nicely without costing a lot of money.
- Multitrack looping with separate pedals
- Quantize function
- Multi-effect unit included
- Easy to use
- Only one input
Since it becomes apparent in the get-go, we are coping with a dual-pedal device revolving around a string of consequences and also a loop function. In general, there are 12 various on-board effects you’ll be able to use in your operation and combine them to create up to 90 seconds of loops through two independent stations.
It is possible to create additional overdubs and create additional undo and redo edits. The product also includes the Quantize feature which allows you to make phrases of any desired length within the given limits or synchronize the two recorded loops to a tempo of your selection.
The item features a tool input along with an XLR mic input, letting you add up to 2 audio sources to your looping mix.
Loop pedals generally tend to have more basic controllers, but that is not the case with this Vox fella. It doesn’t take long to get accommodated to it, however. The two footswitches before are used for controlling the recording both available channels, while the 2 knobs are used for choosing the desirable guitar effect and also for adjusting the level of loop sign which gets injected into your ultimate sound output.
Additional noteworthy features include a built-in metronome, a tap tempo feature to manually adjust the speed of this recording, an auto-recording alternative, along with a clear button for deleting the loop.
The footswitches are rather easy to use, provided that you keep these instructions in mind — tap once to begin recording, tap twice to prevent, and hold to undo or redo.
The audio quality is not really on par with high-end apparatus, but it is powerful and natural enough to meet the requirements of newer gamers and most importantly give them a genuine appearance and feel of what to expect from blending many different classic guitar effects with a loop pedal.
For your listed price, this is more than a reasonable thing. When you take into consideration the significance of experimenting with guitar effects, this becomes a highly recommended rookie thing in our book. It’s one of those bad boys that will provide you the impulse to constantly experiment, find new grounds and yearn for more. As long as you’re after a good newcomer loop pedal, this item is a purchase you cannot regret. Good stuff!
Boss RC-300 Loop Station – The Absolute Master Of Loop Pedals
When it comes to the build, it’s just exactly what you expect from Boss. Sturdy with an intuitive layout which makes it effortless to use all of the critical functions just the way that you would like to. There are also various finer controls that are going to take a while to get accustomed to, but it’s going to be very rewarding for the innovative musician. The loop station provides you with three stereo tracks, that you are able to synchronize. You get the choices of XLR and 1/4″ connection, and there is a level fader for each individual track. The important looping controls are easy to work, with different pedals for stop and start. These variables make the RC-300 Loop Station simple to use in concert or on the street.
You also get a group of 16 onboard effects and an expression pedal to make the sound come to life. With so much creative freedom, you’re likely to spend many hours experimenting with loops. Thankfully, the internal memory can hold up to three hours of documented loops, and it is simple for your recordings to your PC. When you have spent enough time to get acquainted with the controls, there is not much you can’t do with this item.
- Three separate channels with plenty of control
- Great build
- Hours of recording time
- Built-in effects and expression pedal
While all Boss loopers are branded with the title”Loop Station,” the RC-300 epitomizes that phrase. The first thing most people will notice about the RC-300 is its massive stature. The unit is just over 21 inches wide and over nine inches from front to rear. Needless to say, you will want to budge your other pedals out of the way a bit to fit it in. The loop channel has a solid metal structure, houses a total of eight foot pedals, and has an integrated expression pedal that will help you shape your sound.
The RC-300 Loop Station is stuffed with familiar looper pedal features, including one-shot, sample-like play, reverse playback, tempo-shifting functions, auxiliary inputs, different stop modes, rhythm tracks and undo/redo functionality. Like the Boss RC-50 Loop Station, the Boss RC-300 features distinct outputs for subs and guitar amps, meaning you can have your bass thumping out of a bass stack instead of your guitar amp. It also offers the standard 99 internal memory locations, with three tracks stored in each.
Boss RC-300 Loop Station Rear View
The RC-300 Loop Station’s internal memory provides enough space for 3 hours of recording. This improves on the RC-50 more than sevenfold, and the RC-300 may also be connected to your computer using a USB cable. You can literally export your whole loop collection to your computer, infinitely increasing the number of loops you can store. Essentially, you’ll never run out of memory because you can always add another external hard drive to your rig.
Although the Boss RC-50 provided 3 tracks, there was only one”Record/Play/Overdub” pedal, and three individual pedals to pick a track. Switching tracks therefore required pressing on the trail pedal and then hitting record. The RC-300 Loop Station has made it easier to switch between tracks by giving each one a dedicated”Record/Play/Overdub” and”Stop” pedal. This means you can record onto track one, then hit the pedal for tracks two and begin recording onto it straight away. Live musicians can use this to switch between song sections more easily. There is also one pedal you can use to start and stop playback of all 3 tracks simultaneously.
Among the most notable additions to the RC-300 Loop Station is its built-in consequences. You can add flanger, phaser, pitch-bend, chorus, tremolo, distortion, delay and lo-fi effects to your recordings.
Additionally, the unit has a transpose function, allowing you to change the pitch of files without changing the tempo. This is changed in half-stepsup to an octave in either direction. There’s also a particular effect to turn your guitar into a bass, vital for one-man-band playing. Boss, well aware that looping is not the sole realm of guitarists, has also included a few vocal effects to make you sound more masculine, feminine or even robotic. Each of these effects may also be altered to your liking. To see what you can do with only your voice and a loop channel, check out the artist Dub FX.
The RC-300’s expression pedal makes altering the main value of the effects possible on the fly. For example, if you have delay triggered, you can change on the effect by pressing the expression pedal and switch it off by bringing this up. So in case you want one specific lick to echo and nothing else, then you can do that. This not only means you can choose if the effect is active, you can also bring it in gradually through a performance if you like.
The effects on the RC-300 Loop Station can also be set up for use with any of the three available tracks. This means that in case you want a delay in your vocals rather than on the guitar, you can assign the effect to the vocal track. When you trigger the effect, it will only be applied to the specified track. Based on how you divide up tracks for your songs, you can add wild pitch bends into a lead part without affecting the rhythm. You could also apply the effects to all monitors, if you prefer.
Jamming with the Loop Station
The RC-300 Loop Station comes stocked with a complete complement of rhythm backing tracks. To give you an idea of the variety, there are 23 available rhythmic backings available for 4/4 time, including rock, funk, swing, R & B and conga and maracas. Since 4/4 timing is so common, this is the largest selection. Additionally, there are 17 different time signatures, however, each with close to 10 rhythm backing tracks. Boss therefore caters to people wanting to record in unusual time signatures such as 13/8 or 5/4. To incorporate a rhythm financing, you have to tap out or select a tempo before recording, and set the time signature whenever you’re diverting from a 4/4 rhythm. The range of different backing tracks means you always have many options, regardless of the time signature.
The addition of 3 monitors on the RC-300 Loop Station has prompted Boss to improve the already impressive time synchronization features. Besides ensuring that your overdubs stay in time with the first records, the device can also be sure that your 3 tracks fit together correctly. The RC-300 arranges your 3 tracks so that they all start at the exact same time as the longest track and ensures they all sync up correctly. Anybody experienced in looping will know that keeping a single track in time with no help can be challenging, so having three monitors only compounds the situation. If you’re an expert, or an experimental musical nutcase, you can turn off this function. You can also have it on for 2 monitors and off for the next, if you prefer.
Despite all the improvements Boss has made over the RC-50, it is still important to notice the advantages of the loop station’s basic functions. By way of instance, the”Undo/Redo” function is a life-saver whenever you make a live mistake, and may also be used to bring new elements of a track in or take them out at will. The three available quit modes (immediate, end of the current loop and fade) imply you could choose how to finish your track. Reverse play is helpful for anybody seeking to create strange sound effects or trying to encode satanic messages into their tracks. There are a lot of new functions that these can’t all be discussed in detail, but they all provide different options and benefits to the looper.
The actual operation of the pedal can be done largely hands-free. It’s possible to make a three track loop with many overdubs on every only using the foot pedals. This is obviously a massive benefit for live players, and the ability to bring in and take out various paths at will makes the RC-300 Loop Station appropriate for complex, hands-free composition. What’s more, with a small setup ahead, you can assign an effect to every track and bring it in with the expression pedal.
Despite the multitude of pedals on the device, some things still require your fingers to operate. Setting an effect to a certain track requires using the monitor’s designated”Edit” function, and the faders for every can only be operated by hand (unless you have very nimble feet). Essentially, more elaborate tasks must be done by hand, such as selecting a particular rhythm track and setting time signature. Thankfully, the options which require you to stoop over and operate the control panel can be set before a performance or between songs. Although this will result in some silence, at least it is not mid-track.
Some minor issues still exist with the RC-300 Loop Station, but the spectacular array of features more than make up for them. Most players, for example, will need to edit the order of the”Record/Play/Overdub” pedal’s functions. In the factory, the first press will record, and the second goes straight to overdubbing. This can be altered so it goes to playback before overdubbing, but it is a somewhat annoying default setting because most players want to obey the term back before adding overdubs. Likewise, there’s an automatic fade in and out applied to the start and end of loops, which may clip some content directly at the beginning and end of your records. This was included to reduce unwanted noise, but can be irritating in some instances.
In general, this is a perfect looping pedal for musicians seeking to create intricate loops with many layers and textures. If all you want is a basic loop that just lets you record and overdub, this is not the most effective looping pedal for you, since you’ll invest a great deal of space and money on features that you won’t utilize.
For fans of loop pedals around the experimental side, Vox has created the VLL1, a highly versatile device packed with a variety of guitar effects centered around the loop. This complex pedal packs a series of different attributes yet is simple to use and navigate thanks to succinct and direct explanations from the producer. Everything about it seems logical and intuitive, and that is something everybody is likely to enjoy in our publication.
We decided to take this monster out for a little twist, you can take a look at our findings in the full review below.
Hailed as the finest loop pedal on earth right now, the Boss RC-300 is a true force of nature which can change you and your guitar to some full-blown one-man legion. If you just can’t be pleased by regular loop stomp-boxes and you want more, this is the one to test out.
This is a high-end product, but it actually delivers a high bang for the buck. We took it outside for a little twist, make sure to check out the complete review in the section below.
Well, this guy is large! We’re looking at an entire burden of 10.8 pounds and a size of 9 x 21 x 76 inches, in addition to a pair of three stereo tracks using dedicated footswitches. Each of the monitors has a dedicated fader, while the whole system is capable of storing up to three hours of stereo-quality loops via 99 onboard slots.
Apart from the standard looping characteristics, the system offers a set of 16 built-in guitar effects optimized for loop use. Also included in this combination is USB connectivity, allowing you to export your paths in .WAV format.
This is where things get hot! First of all, we’re taking a look at a whopping collection of 8 footswitches. .
On the far right, the manufacturer added an expression pedal, which is not that significant for the loops, however, comes as vital for controlling the on-board effects.
But we have only scratched the surface since the device also uses a bit of a control room for adjusting the effects. The controls are intuitive, but also fairly advanced, so better make sure to dedicate enough time to master all of the tweaks and tricks this guy has to offer you.
In a nutshell, this thing has everything. On the other hand, you have to prepare a variety of loops and actually craft an entire show ahead of the gig and then easily manipulate the loops stage; on the other hand, we love the way the effects are adjusted to be utilized in combination with loop pedals, securing maximum audio quality and zero bad, an artificial audio.
When all factors are combined, this product provides a good bang for the buck. Yes, it’s a high-end thing, however, you will surely get a high-end performance. Additionally, you’ll need to study that guide and invest your time into mastering this looper. It offers a lot of features, and you can not learn how to properly utilize them all in a minute.
With this out of the way, ensure that you need a sophisticated loop pedal before buying this fella. Sure, it is among the best items you can purchase, but also, it offers a ton of functions that just are not for everybody. But is this the best guitar station money can buy? Yes, certainly one of the best!
What to consider when purchasing a loop pedal for guitar
Similar to any kind of pedal, loopers have their very own string of independent elements to look out for. While we recognize that all of our beautiful visitors have the personal preferences of theirs, a particular string of conditions may be drawn on the reason why an excellent loop pedal.
Foremost and first, the recorded good needs to be organic and authentic. Any kind of sonic interference or poor rendering are immediate red-colored flag raisers for us, and also we firmly discarded every product we experienced that could not match this standard need.
Should I look out for loop length?
Loop length might look like a huge deal, but it is really not. The point is most pedals provide ample recording time. When you point about it, the bulk of players will barely need even more than a single minute of shooting some time to lay down the track to loop, as well as the most affordable stomp boxes often provide around ten minutes of capturing time.
Should I look out for loop storage?
Many loop pedals do not have internal storage and ignore the loops the moment they’re turned off or maybe another loop is included. But in case you would like to have the ability to recall the loops you laid wrong for potential use, you are going to want to think about getting pedals with internal storage. Several items have a specific amount of built-in room, while higher versions include a function to place an external SDHC card and also store the products there.
What is the big difference between mono as well as stereo loopers?
When looking at the output, stereo outputs let you run the pedal by way of a stereo rig, or perhaps through separate amps. So far as stereo inputs go, getting 2 In jacks enables you to do some pretty unique experiments. For instance, you can plug in a mic to your next input and make use of it to add different percussive instruments to the loop of yours. You can also include vocals or perhaps pretty much anything that may be captured via a microphone.
New vs. utilized guitar looper
We’ve to say that loopers are complex pedals with advanced electronic devices that can be best not tinkered with as well as best bought new. We are not saying that you cannot get a premier to offer in the second-hand market, though we’re certainly pointing out that you need to be more cautious in case you choose to delve into that world. In case you are unsure about your abilities to calculate the performance of a second-hand guitar looper, at minimum bring along somebody who can easily.
And we’ve thus reached the end in our loop odyssey! We wish you’ve experienced the ride, ensure to stay tuned for most excellent deals on the internet. The last action today is usually to write down the personal needs of yours, available spending budget and preferences, single out your personal best guitar looper and also treat yourself with among these bad boys right today. Rock on!
What is the best guitar looper for bass?
In our opinion, the Boss RC3 is the best for bass.
.What does a looper pedal do?
A looper pedal is a device used to record samples from an instrument that can be played over and over again or even dubbed. The guitarists used the pedals or switches to control the loop with their foot. The idea was to make it an easy process for them to record tones in loops and use effects to generate music.
Here is what you can do with the pedal:
Record Solos: You can play chords in your guitar and record these samples. This permits you to practice soloing techniques. It’s an excellent way to increase your skills on your own.
Create Music: Obviously, the loopers are widely used for composing songs. It is possible to make amazing sounding tracks and write the lyrics to it.
Learn: You need to learn how your favorite guitarist played a lick? The looper can help you do this with the auxiliary input. You can plug into your phone or mp3 device to perform a tune.
Experiment: One of the most popular recent recording artists to use loopers for his songs is Ed Sheeran. He has managed to combine his superb vocals with some great loops which make him sort of a band in his own right. You can do the same and experiment with the loops and tones to create something unique.
What’s analog dry through?
It is a feature on looper pedals that divides the signal into two. 1 side is sent to be the ramifications side where it’s converted into digital signal whereas the other hand remains intact i.e. the output is just like input and it stays dry. The reason for this feature is to retain the purity of the dry sound signal.
Not all loopers have this feature so you have to make sure if you want to retain pure signal that you obtain a looper that has this attribute. Additionally, it does not actually need to be expensive because this attribute is present in loopers that cost less than $100. This feature is liked by many guitarists and is great because it does not affect the sign and you hear it as pure as it came out.
Each of them has its own set of advantages. It depends on your application about which one is most suitable for which type of looper and would get the best results. As an example, in a live setup using one pedal can be awkward as you’ll have to manually change buttons. With this scenario, the best looper would be a multi-pedal or multi-switch one that will let you utilize the features rather quickly and easily. Because of this, for professional on stage use, a multiple pedal looper is your best alternative and is widely used.
For home use and private practice, both can work out well and provide you a great deal of control and convenience. However, single pedal loops tend to be smaller and lighter so it is easier to handle them and carry them around. They’re cheap too so you can even purchase several and make connections to have a multiple pedal loop system.
There’s not any clear winner as it ultimately depends on your situation. A good deal of guitarists prefers multi pedal loops as these are quite professional (click for our guide here). You can easily find some high-quality multiple switches or pedals. If you’re unsure about which one you would want you can get one that has this capability.