Guitar players are available in various different sizes and shapes. Some are big, a few are small, and the height of yours, arms, hands, back and shoulder will definitely determine your perfect guitar.
When it involves the very best electrical guitars, neck thickness and scale length is a crucial element for small hand players to adjust themselves, but smaller sized body size could in addition help.
Yamaha APXT2 Review
The guitar sports a smooth nato neck that’s very comfortable for smaller hands, along with a rosewood fretboard and 21 frets. The tuners are decent and it comes with a padded gig bag, which also makes it a good choice for a travel guitar.
The fantastic thinking APX500II is Yamaha’s best-selling electro-acoustic guitar, so it makes sense that they would produce a smaller scaled version for players with smaller hands. Enter, the APXT2, which more than earns its place in our chart of the best acoustic guitars for small hands. This streamlined steel-string electro-acoustic retains the stylish looks, slimline texture and quality electronics that made the original so popular, with an equally wallet-friendly price tag.
Body And Neck
The APXT2 is certainly cut from the same fabric as Yamaha’s APX500II, albeit smaller. It sports a single-cutaway thinline body shape with a 3/4 scale, a top made of spruce (laminated of course — this is a sub-$200 guitar after all), along with the familiar oval soundhole. The back and sides are made from meranti, which is a dark wood that is essentially a cheaper mahogany. In addition to the organic model — that nicely shows off the grain of the woods — the APXT2 comes in both glossy black and’old violin sunburst’ finishes. The small hand-friendly neck joins the body at the 14th fret and is crafted from NATO, with a fully-accessible rosewood fretboard, 21 frets and dot inlays. Its size is perfect for beginners, kids and adults with smaller hands, though every guitarist would find some use from it as a travel guitar — it feels pretty robust, so taking it on the road wouldn’t be out of the question.
The APXT2 is an electro-acoustic that’s fitted with an ART-based preamp, with a System 68 contact pickup. The preamp features a control panel which experienced guitarists may get a little basic, although beginners will benefit from its simplicity — just a master volume and tone control knob along with a built-in electronic tuner. Electronics aside, the APXT2 features a set of adequate vintage-style covered tuners on the headstock, a rosewood bridge, and a plastic nut and saddle. It also comes with a very convenient padded gig bag for easy transportation and storage.
For such a small guitar, it actually sounds very good. It’s not comparable to a full size dreadnought in terms of projection or tone, but the APXT2 supplies more than enough volume for practice and home performance, while the glowing sound stays natural when amplified thanks to the ART system. Due to the limited controls it’s not the most flexible of systems when compared to some other acoustic preamps, but for travel and practice this is sufficient.
But it offers a whole lot in the way of playability, style and sound. Having a small scale and beautiful neck feel, it really is perfect for beginners and people with smaller hands, although’full-size’ players could find loads of use with it as a travel guitar. In general, pretty great!
- Spruce Top
- Rosewood Fingerboard & Bridge
- System 68 Pick-Up
- Gig bag Included
Baby Taylor BT2 Review
In case you are an admirer of crisp, mellow sound contained on a variety of classic country initiatives, Taylor Guitars are generally a valid pick for you.
The basses are powerful, which is of utmost importance for just about any acoustic guitar, as well as the majority of the frequencies are present in the mix also, with punchy middles as well as brilliant and cutting trebles.
Parlor and traveling guitars have become a heavily contested category in these past few years. Especially when you move away from the super affordable variety and step nearer to mid-range versions. Their way of achieving this goal comes in form of Baby Taylor BT2. This guitar is not just among the very best travel guitars on the market, but it’s also among the finest mid-range affordable acoustic guitars, period.
Body And Neck
Some will argue that BT2 isn’t a’real’ travel guitar. The cause of this is the fact that it doesn’t share the normal concert body shape, which most parlor guitars do. In addition to that, it’s slightly larger than your regular specimen from this class. With a standard dreadnought body, Baby Taylor BT2 brings versatility to its customers, while still keeping a pretty compact size. Taylor went with a mixture of a solid mahogany top and layered Sapele for the rest of the build. The neck is also a Sapele design, with a pretty standard rosewood fretboard. Despite the fact that this is not a hand made instrument, you can still see that expected Taylor build quality.
You get a decent rosewood bridge fitted with a compensated saddle made from Nubone. As usual, the nut can also be made of the same material. It is a similar situation with the tuning machines. They are relatively ordinary die cast units, which do a good job at keeping tuning and intonation. Hardware functions very well, especially if you don’t push the guitar out of its comfort zone.
Among the best things about the Baby Taylor BT2 is that the sound it brings to the table. Not only is it fairly competitive even when you compare it to its full-sized counterparts, but it captures the essence of the Taylor tone. Its dreadnought body compensates nicely for its smaller size, so much so the gap between a full sized one and BT2 is hard to notice unless you have experience with acoustic guitars. Everything is tight, from the bottom of the frequency range, to its very top. Clarity, definition, and warmth come in abundance. It is truly a Taylor, no matter how cheap it is.
If you are willing to sacrifice a little bit of mobility, BT2 will reward you with a performance likes of which you will hardly find elsewhere. Build quality is evident wherever you look first, although we do recommend you do a setup job just in case.
Properly set up straight from the factory and making these adjustments may provide you a real boost in performance.
- Conceived as a starter guitar for kids, the lovable Baby Taylor has maintained its enduring appeal in part by being a legitimate musical instrument that anyone can enjoy
- The three-quarter-size Dreadnought helped touring musicians like Taylor Swift sketch new musical ideas on the road, and it’s been a reliable musical accomplice for travelers seeking inspiration while trekking the world.
- All Baby Taylor models ship with a durable travel-worthy gig bag made by Taylor for optimal fit and protection
- Tone Woods A guitar’s top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound
Martin LX1 Little Martin Review
The Little Martin LX1 may be the smallest guitar the renowned American brand produce, and that helps make it ideal for players with little hands. As with any Martin model, timeless looks are demonstrated by it along with a solid build that any guitarist will be delighted with.
With a comparable price and size to Taylor’s BT2, the top part is constructed from solid Sitka spruce, even though the rear and sides include a highly pressured Laminate mahogany.
Incorporating their eco friendly ethos, the tone is bright and lovely, but well balanced. For those with small hands, this is a fun, durable, and reliable guitar made by a well-known manufacturer.
This little acoustic that is popular guitar is among the best out there concerning sound, quality and feel. Plus, for an authentic Made in Mexico Martin, it’s surprisingly affordable.
Body & Neck
The Little Martin is exactly what its name implies! It is a small-scale Martin guitar (the smallest the iconic brand produce), showing off classic Martin style with average Martin quality. The non-cutaway concert body — using its 23″ scale length — is made from solid Sitka spruce on top, with a High Pressure Laminate mahogany on the back and sides.
Falling in line with some of the other cheaper Martin instruments, the Little Martin uses rust birch laminate to the neck, which creates an interesting pattern and a comfortable feel in the hands, together with a Richlite fretboard and 20 frets. It looks fantastic, and — no matter the very affordable price — feels like a quality tool in both build and playability. However, made in Martin’s impressive Mexican center, we would not expect anything less.
There are no electronics on this Little Martin, although the electro-acoustic LX1E is available, featuring a Fishman mic system that’s great for plugging into quickly amplify your sound.
However, the first LX1 does feature a set of excellent quality Martin sealed chrome tuners, which are smooth to use and hold tuning in place nicely. Perhaps most importantly, it has a padded gig bag, which is an essential and stylish addition to safeguard your little beauty when in storage or transport.
It looks great, plays well and stays in tune. How does it sound? Ultimately, due to the compact body, the projection and tone just doesn’t compare to a full-size Martin dreadnought — but it was not designed to. However, for practice and compact performances (think campfire or hotel room), it’s perfect. It seems well-balanced in totonend has that satisfying warmth that can only really come from an instrument with such a quality build.
Whether you’re searching for a model to travel with or something which will feel comfortable in the possession of smaller hands, the Little Martin is hard to beat — certainly comparable with the Baby Taylor concerning sound, playability and cheap price. There are cheaper small acoustics out there, however, the Little Martin only seems to give you that bit extra
- Mahogany pattern HPL (high pressure laminate) textured finish, solid sitka spruce top
- Rust Stratabond neck, shortened 3/4 scale.
- Solid Morado or East Indian Rosewood fingerboard
- Chrome small-knob tuners. Tusq saddle.
- Includes padded gig bag.
Squier Strat Mini Review
It’s hardly a secret that Fender Stratocaster is one of the best guitars in the history of this instrument, and starting out your musical journey with one is not a bad choice at all. Strats are versatile, reliable, can cover nearly any style from pop to heavy metal, and have those iconic looks.
So in case you happen to be looking for one of those best beginner guitar for children , we bring you the Strat Mini from Squier, an inexpensive deal containing all the goods a young axe-wielder needs. Let’s see what this guy’s all about!
Body & Neck
The instrument utilizes a solid 3/4-size body crafted from basswood, together with a small C-shaped maple neck, a 22.75-inch scale span and a rosewood fingerboard with 20 frets and white dot markers.
The build quality is generally sturdy and powerful, while the looks are top-notch, giving the feel and vibe of the real deal. The sonic punch generated by the combination of basswood and maple reels at a classic bright Strat vibe. When combined with the electronics section — that we’ll talk in a minute — that the player is left with a solid sonic attach certainly worthy of each aspiring guitar master.
In the electronic department, as very much anticipated, we are looking at the standard Strat pickup configuration of three single-coils and a five-way switch for tonal control. Aside from that, the producer added a standard Volume control knob, in addition to a single Tone knob to adjust the amount of all frequencies.
Further on up the road, on that regular Stratocaster headstock, the guitar comes with a set of six die-cast tuners that do a fine job in keeping the six-string in song and in appropriate shape.
Another factor worthy of pointing out are the extra goods that come along with the guitar.
When it comes to the instrument’s sonic attack, we are dealing with a faithful replica of the classic Fender Strat, with funding reductions made at all the right places. Basically, the tone is punchy, light and bright, with all the frequencies covered, hot basses and clear highs. Although we are taking a look at a thin tone in comparison to the read deal (a 10 times lower price, too), he Sense stands out as one of the top features of this instrument.
Overall, for this price, you’ll be getting a terrific bargain, a sound quality definitely on par with each newcomer’s needs, and enough flexibility to cover almost any genre you can consider. Seeing that kids have a tendency to change their musical preferences in a blink of an eye, this is particularly useful if you ask us.
Even without those mentioned additional goodies, this is a excellent bang for the dollar. But seeing that the listed price will also provide you with a series of necessary guitar products, we actually can not find many better deals than this one. The sound is fit for beginners who like to cover a whole lot of musical ground, but still deeply rooted in traditional blues and rock worth. Among the best guitars you can get your kid, that’s for sure!
Squier Vintage Modified Jaguar Review
Jaguar is one of the more models Fender has produced so much and Squier did a good job replicating it. This is a relatively complicated design and definitely one of the very interesting axes you can pick up for under $500.
Body & Neck
Jaguar body belongs to what are called’offset’ guitars. This means that the upper and lower parts of the body are asymmetrical and offset to a certain degree. This design brings some difficulties in terms of intonation and general dynamics of the guitar, which was a major concern for Squier Vintage Modified Jaguar. However, the guitar came out fine.
Tonewood they have used for this particular model is basswood while the neck is made from maple. Speaking of that, this is a short scale neck, making it a bit easier to play for beginners while at the same time benefiting those who are into jazz.
Rather than the standard stationary tail bridge, or a synchronized tremolo, you get a vintage style trem bridge where these two elements are divided. While the bridge is a unit all of the way sits back like a tailpiece.
Some of the Jaguars had problems with hardware that were mostly brought on by the asymmetrical design of the guitar itself. These issues can be fixed by a skilled guitar tech, although rare. Tuners are old school die cast type, which you can find on a number of Squier models.
That’s not the interesting part. What they’re wired into is where the mad starts. Rather than having several knobs to adjust the tone of the guitar, you have dual circuits. There are two modes available — lead and rhythm.
Each of them has its own set of controls, which let you significantly affect the tone of this guitar. In addition to all that, you have the typical Tone and Volume knob. The quantity of versatility crammed within this guitar is remarkable. There is just so much maneuvering room to work with.
With its complex circuitry, you can dial in a vast array of tone configurations. For example, this is an ideal guitar for surf rock or similar classic genres. However, you can still play good old rock and roll. Since this is a short scale guitar using a highly flexible circuitry, you can even pull off a somewhat decent jazz sound with little to no effort.
Even though they definitely managed to do this, it is not a perfect product. On the other hand, when it comes down to most fundamental bang for the buck equation, this Jag is a steal!
- Basswood Body
- Maple C Shape Neck with 22-Medium Jumbo Frets and rosewood fingerboard
- Duncan Designed single-coil pickups
- Vintage-style bridge with non-locking floating vibrato
- Vintage-Style Chrome Tuning Keys
What To Consider When Purchasing a Guitar For Smaller Hands
The procedure itself is not actually all that challenging and involves taking simply a few rational steps. There are many issues to help keep your eyes peeled for, we need to go on and record them first:
- Smaller fingerboard
- Smaller sized body
- Thin neck
- Gentle strings
When it comes to fingerboards, it is ideal for you to get one with a string length between 22 inches and 24.6 inches. This way, it will be significantly easier for you to grab all the chords properly, as the process will require less power and less finger length. Additionally, these types of six-strings also tend to have a slimmer neck, which is one of the requirements we have listed.
When it comes to the strings, the first option is to get thinner strings with a smaller gauge. They are easier to press and easier to play in general. Additionally, if you’re an acoustic guitar player, replacing your instrument’s steel strings with nylon ones will greatly improve the playability factor.
- Small Body – Choose a guitar with a body size that will enable you to hold the instrument comfortably. This is especially true for those whose overall stature, not just hands, is smaller. Electric guitars do not tend to be problematic in this matter. Acoustic guitars, however, can be rather bulky. Choosing the slightly thinner one could make a big and important difference.
- Short Fingerboard – Between 22 and 24 inches is the ideal range. A fingerboard like this will enable you to get all the chords right without stretching the fingers or putting in too much unnecessary effort. It’s guitar playing, not Cirque Du Soleil. Make yourself comfortable. The number of frets is still important, though. The more the better. Small hands can really shine on higher frets, even when the space between is minimal.
- Slender Neck – This is of course connected with the fingerboard length. Shorter necks are more slender, which is great because you need to be able to get a good grip of the neck and reach all the strings properly. This is especially useful for fast-paced playing. Heavy metal fans with small hands can jump for joy now.
- Strings – If your small hands are equipped with matching fingers, you should consider making your guitar strings thinner too. This will benefit the playability. But, you have to be careful with the sound. Even nylon strings can be considered on acoustic guitars.
Short Fingers And Small Hands Don’t Equal Poor Guitar Playing
Simply since you had been born with a bunch of shorter fingers or maybe smaller hands does not imply by any stretch of creativity you cannot be considered an outstanding guitar player. Never use this as a reason for not being in a position to enjoy the instrument, and continuously keep in your mind that improving the technique of yours and musicality is essential, rather than finger length.
My Top Tips For Guitarists With Small Hands
Here are some quick tips that along with the right guitar should give you a hand.
I managed to figure these out over time, and I learned a few from other guitarists also.
Practice Using Your Pinky Finger
The pinky finger is often the most underutilized asset that a guitar player with little hands has.
Likely, you’ve found that when you are educated to use your ring finger in a specific chord or direct riff, you need to make a monumental effort to stretch until it is possible to fret the right note. This will eventually lead to pain, and also slows you down quite a bit.
The solution? Make better use of your pinky finger!
This is not as simple as it might sound: the pinky finger, even though it provides you greater reach, is normally the weakest finger on your hand.
It will need some training to get fit, but in the long run, you’ll be able to use your pinky to replace the ring finger into several difficult chords and lead riffs.
The more you practice with it, the more useful it’s going to be.
Make Sure That Your Wrist Is Where It Belongs
Sometimes, those people with small hands tend to bend our wrist more than we should, attempting to allow more room for our fingers to maneuver.
I did this when I first started playing guitar, and it was not long before I had horrible pain in my wrist after playing.
I learned that you have to be careful how you place your wrist and that your posture, in general, can improve the range of movement in your fingers.
How do you get the ideal guitar posture?
First, make sure that your elbow is crooked like you were holding a baby.
Next, keep your wrist just slightly bent inwards. Never bend your wrist beyond what feels comfortable for you.
When your wrist and arm are in the right position, it will help your overall range on the fretboard, and you’ll avoid unnecessary pain.
Get To The Greater Frets
If you are having trouble fretting chords on the first and second frets, try using a capo. This will move everything up, getting you to those higher (and narrower) frets.
Mostly, if you don’t have a guitar with narrowed frets, the higher frets will be your best friends. Try to stick with them as far as possible, finding the sounds that fit your fingers’ range the best. The capo won’t be the solution for every song, but it will help in many cases.
Exactly like singers attempt to find songs that fit their vocal range, guitarists with small hands can find songs which are easier to play for their hands. This may also mean leads and riffs that are played higher on the fretboard.
Include Finger-Stretching Exercises In Your Routine
This is most likely the most boring out of my tips, but also the most useful. If you do not regularly stretch your fingers, they will never adapt.
Using the riffs or chords that you find difficult, practice stretching out your palms.
While you wish to be balanced and not cause yourself unnecessary pain, this can help get your hands to a point where they can play those difficult chords and riffs more obviously.
Pick a Guitar with a Cozy Neck
Every guitar differs. Some have broad necks, others have narrow necks. For those who have small hands, a guitar with a narrow neck will make playing more natural and more enjoyable. Some guitars even arrive in 3/4- or short-scale models, making the instrument more streamlined and available to those with smaller hands.
Get Your Thumb in Position
Many players let the thumb of the fretting hand go idle when playing chords or individual lines. Consider placing your thumb directly center below the fretboard and use it as a guide as you perform.
Even guitar players with large hands can benefit from”stretching out” and working on exercises to increase one’s span throughout the fretboard. Work on extending your fingers by incorporating into your practice routine exercises which demand distance leaps. Start on the minimal E-string and play an F (first fret) with your index finger, then play a G# (fourth fret) with your ring or pinky finger — whatever works best — and stick to this pattern across all six strings.
Make Great With Your Pinky
As I discovered over the years of trying to replicate the left-hand fingering of my favorite guitarists, sometimes the standard ring finger-to-index finger reach anticipated out of lesson books is physically impossible for my small hands.
Traditionally, guitar lessons teach us to utilize our left-hand pinky as an afterburner of sorts–a way to reach notes which lie outside a standard four fret scale box. This is universally true, regardless of hand size, but the pinky plays a much more critical role for guitarists with smaller hands.
If you are a guitarist with small hands, consider using your pinky in areas usually designated for the ring finger. It will not always work–minimal hand movement is still preferential–but it could be the difference between having the ability to play a particular part over conceding to ultimate defeat.
Of all the hints I have in this guide, this is undoubtedly the hardest one. Why? Since your pinky is going to be the weakest finger on your left hand. It took me several months of solid practice before mine could do half of what my ring finger was capable of. Due diligence paid off, though: my legato is much smoother now, and my soloing ability has become significantly faster.
Moral of the story: incorporating more significant use of your pinky is not going to be easy, and it’s not going to sound right during your initial attempts. Keep it up, though, and even the trickiest fretboard patterns will become second nature.
Higher Frets Are Your Friend
There’s no getting around: noodling around the greater portion of the fretboard sounds incredible. It’s a tonal range that allows guitarists to cut through the mix, and it is where several iconic soloing minutes have happened. If it works for Jimmy Page and Joe Perry, it is going to work for you.
If you are a guitarist with smaller hands, here is a place where you’re actually at an advantage. Whereas players with big hands may feel cramped anywhere past the twelfth fret, those people with smaller hands should feel right at home.
So go ahead, get acquainted with patterns upwards the twelfth fret. If you’re a beginner, this will take some getting used to. Lesson books (and videos) usually request that you start single-note practice around the fifth or third fret, and don’t even touch higher frets until much later on in the program. You should still practice in this area, but there is no absolute rule forbidding you from jumping ahead and getting used to the higher register early on in your training. And if you’re a guitar player with little hands, you might realize that these higher frets allow for a far more comfortable (and speedy) experience.
A last note about greater fret work: If you are physically fighting with a part designated for the lower part of the fretboard, consider taking it up an octave (12 frets). Sure, it’s going to lose some of that bottom-end advantage, but on a purely musical level, the notes will be the same. Much like my pinky-utilization tip, this is not going to work for everything, but the pros outweigh the cons. Check out my video below for a good example. Notice how indifferent my puppy is–cannot please everyone, I guess.
Use Drop-D Tuning
Those who like playing contemporary metal should be instantly familiar with Drop-D tuning, which merely entails tuning the sixth string down a step (for standard tuning, it means dropping the”E” string down to”D”).
Using Drop-D tuning is a great way to get some tasty riffage from your guitar, but it doesn’t have to be rigorously for”heavy” playing. Since Drop-D tuning allows you barre power-chords with one finger over the two lower strings, it takes less of a stretch if you wish to throw in additional notes on the higher strings. This is especially useful when attempting suspended and small embellishments on the three lower strings.
Drop-D tuning also comes in handy for classic boogie-woogie patterns, the chagrin of little-handed guitarists everywhere. Check out this video for an example of what I’m talking about. Notice the return of my indifferent puppy.
Incorporate Tapping Techniques
It’s tempting to write-off fretboard finger tapping as a 1980s guitar hero gimmick, but it can be a lifesaving technique if you’re a guitarist with little hands. Consider it: having little hands restricts how far you are capable of extending across a fretboard. By using two hands instead of one, you suddenly open up greater access between specific notes.
Confession time: of all the techniques listed here, I use this one the least. Why? Honestly, I am not a flashy player, and fretboard tapping is the very definition of flash. But if I have to strike a note that is not within a four-fret area in a particular section, you’d better believe that my right hand is quick to the task.
SWITCH TO USING A CAPO
1 way to decrease the period of your guitar temporarily to be able to make it effortless for your hand to get to the essential areas while playing guitar is by using a capo. The capo is a small clamp which lets you secure the strings of an open guitar into different frets thereby reducing your guitar scale. Using the capo will just alter the pitch of your guitar. You can even use it to change the key of a song, but for this course, you would use it to make your current guitar more comfortable to play.
Putting the capo on your 2nd or 4th fret won’t just reduce your guitar scale but will also lower your string action. This will make it easier for you to press down your guitar strings, also, to reach and play your chords.
For those who have smaller hands, capos can be a godsend. This is especially true if you’re trying to play tunes that incorporate barred open-chord voicings, like”Under the Bridge” by the Red Hot Chili Peppers. It all comes down to how far your left hand can physically stretch. If you can not barre an open-C chord shape on the third fret because your fingers won’t stretch that far today, then you’ll have the same problem tomorrow.
Consider Light Gauge Strings
As with the short-scale guitar suggestion, choosing a string gauge for your needs is an entirely subjective experience. If you are having difficulty performing simple bends, though, you may want to consider using light gauge strings (such as Ernie Ball Super Slinkys) in your axe. They also make hammer ons and pull offs easier to achieve –another technique that small handed guitarists may fight with.
Lighter gauge strings have additional advantages, as well. They tend to sound”brighter” than their heavier counterparts, and so allow guitarists to cut through the mix a pinch more. Light gauge strings also”dull out” slower, so you won’t need to change them quite as frequently.
On the flip side, there are also advantages to using heavier gauge strings. Heavier strings are not as likely to”buzz,” and they allow for greater dynamic range based on how hard you hit them. This one is really up to you–both variants have their strengths. But if you have small hands and battle with specific methods, then you might want to think about giving light gauge strings a try.
Here’s a tip-within-a-tip: if light strings feel too”floppy” for you, consider using a lighter pick along together. I use Fender Medium picks with the above Ernie Ball Super Slinkys, and my hands could not be happier.
Do Not”Fret” About Short-Scale Guitars
There’s nothing wrong with short-scale guitars–for children and genuinely small adults, they’re terrific. But there is a sacrifice to be made in the means of variety when it comes to these particular tools, and of course how they make playing on the higher fretboard a lot more challenging than it ever should have to be.
1 thing you might want to consider, however, is the distance between the frets themselves. Smaller handed guitarists may find a Gibson-sized fret difference more comfortable than the slightly bigger ones found on Fender-esque instruments. This is naturally a personal preference, so it’s ideal to just stroll down to your favorite guitar store and actually try out various instruments. The ideal guitar for you is going to be the one that feels comfortable in your hands.
For further clarification on using”regular” sized guitars with small hands, return to the famous guitarists’ example used at the start of this report. Angus Young has always been a Gibson SG guy, which isn’t a short-scale guitar. Randy Rhoads played several guitars, notably a Gibson Les Paul, which again, isn’t a short-scale guitar either. If you choose to research additional famous small-handed guitarists, I’ll wager that most of them play standard sized guitars.
Another time: not trying to knock short-scale guitars here. If you find one that is right for you, that’s excellent. Just do not assume that having small hands automatically disqualifies you from using a standard sized tool. Little handed guitarists have used them before, and they’ll continue to use them later on.
Practice Guitar Every Day!
Okay, this will be completely obvious, but practicing guitar every day is the only way you’ll ever get better at the instrument. This will always be true, regardless of hand size, but for guitar players with small hands, it is an absolute necessity.
It all comes down to physical science: playing guitar requires muscle movement from your hands, and small hands are necessarily less powerful than larger ones. Developing a daily practice routine permits you to boost muscle mobility, therefore allowing your hands to finally do more with less effort.
For my money, I’ve found Guitar Aerobics by Troy Nelson an invaluable practice book. It features another practice riff for every day of the week (for a total of one year), focusing on a single guitar technique for daily. If you are anything like me (scatterbrained and almost always unfocused), then I highly suggest incorporating it (or a similar guided practice instrument ) into your daily exercise routine.
The reason I include this as one of those tips is a simple one: it’s easy to blame ineffective guitar playing on small hands, but there’ll be genuine moments where hand size isn’t the issue. It took me several years of practice before I realized that certain things were literally outside my reach–the classic”boogie woogie” pattern I mentioned before is one of these –and I adapted accordingly. Occasionally honest-to-goodness practice is all it takes to overcome shoddy guitar playing.
Do not be defeatist
Do not be downhearted about your small hands and think you are fatalistically doomed to learn guitar. (I have seen this happen!)
Everyone has some’impediment’ that is an obstacle to the learning and you are no better or worse off than anyone else. There are a lot of people who are worse off than you.
By way of example, some people have poor motor skills or no sense of timing, or they’re stupid, or they do not practice, or, or, or…. There are a thousand things that could make learning guitar harder!
SWITCH TO USING A CAPO
1 way to decrease the period of your guitar temporarily to be able to make it effortless for your hand to get to the essential areas while playing guitar is by using a capo. The capo is a small clamp which lets you secure the strings of an open guitar into different frets thereby reducing your guitar scale. Using the capo will just alter the pitch of your guitar. You can even use it to change the key of a song, but for this course, you would use it to make your current guitar more natural to play.
Putting the capo on your 2nd or 4th fret won’t just reduce your guitar scale but will also lower your string action. This will make it easier for you to press down your guitar strings, in addition, to reach and play your chords.